Tiny Park
It is a two person show, which is up until October 19th.
photo by GGP
Tuesday, September 24, 2013
Tuesday, June 11, 2013
Monday, June 3, 2013
Friday, May 31, 2013
Tuesday, May 28, 2013
Big Mingo Gap
Big Mingo Gap, 48"x56", oil on canvas, 2013
for more...josephaaronnoderer.com
This painting as well as a drawing will be up at Gallery Black Lagoon for a show that opens on Friday June 14th.
Interior
Interior, 10"x12", oil on panel, 2013
Thought I'd start posting some paintings...to see more check out josephaaronnoderer.com
Monday, April 15, 2013
Speckled Dog Revisited
An original tune that I've become more comfortable with since its creation. Fretted Enoch Tradesman, gCGCD.
Friday, April 12, 2013
Spotted Pony
Here's a take on Spotted Pony. Recorded to cassette, transferred to computer. A little loose about three quarters of the way in, but it couldn't be helped. Fretted Enoch Tradesman, gCGCD.
Been a while since I've posted. Since the last one, two new Black Twig Pickers related recordings have come up, both excellent. I'll write about each (as well as some other stuff) over the course of the next few days.
The most recent release is Mike Gangloff's solo album Poplar Hollow.
This is a great collection of songs. Mike focuses on fiddle and banjo, with some singing. On two tracks his fiddle playing is accompanied by sruti box which creates a really beautiful aural density that's easy to get lost in, particularly on his take of Sally Coming Through The Rye. In this tune there are quite a few moments where the notes of the sruti and fiddle merge, creating a heady drone that can feel dizzying.
The unaccompanied fiddle tracks are just as compelling. His playing is deliberately paced but highly rhythmic and varied. The track New Orleans for example is played at a moderate speed but is expressive of a few things: a mournful keening, what to me sounds like a sad chuckle and then up to a strong, confident proclamation.
Two of the banjo tracks are versions of tunes I've heard before on other BTP or Gangloff solo releases: Ironto Farewell (well, actually this is related to his song Ironto Special but technically not the same structure) and Waiting on My Rider Back from Town. A version of this last tune was on the Twigs album Soon One Morning. Here the banjo is played with a slide, which of course sounds awesome.
The other banjo tune, Cat Mountain, is a little more abstract than the aforementioned tracks. It has a slippery structure that differs from the usual high part/low part framework of most old-time banjo music. In this way the tune is evocative of varied feelings: from wistful to raucous to jubilant.
I've only talked about a few of the tracks here, but I find this whole collection to be utterly compelling. Being a fan of Pelt as well as the Black Twigs, I pay attention to the links that those two groups share. Gangloff's collection sounds to me like a perfect connection of the two.
The most recent release is Mike Gangloff's solo album Poplar Hollow.
This is a great collection of songs. Mike focuses on fiddle and banjo, with some singing. On two tracks his fiddle playing is accompanied by sruti box which creates a really beautiful aural density that's easy to get lost in, particularly on his take of Sally Coming Through The Rye. In this tune there are quite a few moments where the notes of the sruti and fiddle merge, creating a heady drone that can feel dizzying.
The unaccompanied fiddle tracks are just as compelling. His playing is deliberately paced but highly rhythmic and varied. The track New Orleans for example is played at a moderate speed but is expressive of a few things: a mournful keening, what to me sounds like a sad chuckle and then up to a strong, confident proclamation.
Two of the banjo tracks are versions of tunes I've heard before on other BTP or Gangloff solo releases: Ironto Farewell (well, actually this is related to his song Ironto Special but technically not the same structure) and Waiting on My Rider Back from Town. A version of this last tune was on the Twigs album Soon One Morning. Here the banjo is played with a slide, which of course sounds awesome.
The other banjo tune, Cat Mountain, is a little more abstract than the aforementioned tracks. It has a slippery structure that differs from the usual high part/low part framework of most old-time banjo music. In this way the tune is evocative of varied feelings: from wistful to raucous to jubilant.
I've only talked about a few of the tracks here, but I find this whole collection to be utterly compelling. Being a fan of Pelt as well as the Black Twigs, I pay attention to the links that those two groups share. Gangloff's collection sounds to me like a perfect connection of the two.
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